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・ Aaron Diamond AIDS Research Center
・ Aaron Diehl
・ Aaron Dignan
・ Aaron Dillaway
・ Aaron Dilloway
・ Aaron Director
・ Aaron Dismuke
・ Aaron Dixon
・ Aaron Dobson
・ Aaron Doering
・ Aaron Dollar
・ Aaron Donald
・ Aaron Doornekamp
・ Aaron Doral
・ Aaron Doran
Aaron Douglas
・ Aaron Douglas (actor)
・ Aaron Downes
・ Aaron Downey
・ Aaron Draper Shattuck
・ Aaron Dugan
・ Aaron Dundon
・ Aaron Dunn
・ Aaron Duran
・ Aaron Durley
・ Aaron Dwight Stevens
・ Aaron Dworkin
・ Aaron E. Klein
・ Aaron E. Miller
・ Aaron E. Waite


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Aaron Douglas : ウィキペディア英語版
Aaron Douglas

Aaron Douglas (May 26, 1899 – February 3, 1979) was an African-American painter and a major figure in the Harlem Renaissance.
==Early life==

Aaron Douglas was born in Topeka, Kansas, to Aaron and Elizabeth Douglas. He developed an interest in art during his childhood and was encouraged in his pursuits by his mother. Douglas graduated from Topeka High School in 1917. He received his B.A. degree from the University of Nebraska-Lincoln in 1922. In 1925, Douglas moved to New York City, settling in Harlem. Just a few months after his arrival he began to produce illustrations for both ''The Crisis'' and ''Opportunity'', the two most important magazines associated with the Harlem Renaissance. He also began studying with Winold Reiss, a German artist who had been hired by Alain Locke to illustrate ''The New Negro''. Reiss's teaching helped Douglas develop the modernist style he would employ for the next decade. Douglas’s engagement with African and Egyptian design brought him to the attention of W. E. B. Du Bois and Dr. Locke, who were pressing for young African American artists to express their African heritage and African American folk culture in their art.
Douglas was heavily influenced by the African culture he painted for. His natural talent plus his newly acquired inspiration allowed Douglas to be considered the "Father of African American arts." That title led him to say," Do not call me the Father of African American Arts, for I am just a son of Africa, and paint for what inspires me."
For the next several years, Douglas was an important part of the circle of artists and writers we now call the Harlem Renaissance. In addition to his magazine illustrations for the two most important African-American magazines of the period, he illustrated books, painted canvases and murals, and tried to start a new magazine showcasing the work of younger artists and writers. It was during the early 1930s that Douglas completed the most important works of his career, his murals at Fisk University and at the 135th Street Branch of the New York Public Library (now the Schomburg Center for Research in Black Culture).
Throughout his early career, Douglas has gone looked for opportunities to increase his knowledge about art. In 1928–29, Douglas studied African and Modern European art at the Barnes Foundation in Merion, Pennsylvania on a grant from the foundation. In 1931 he traveled to Paris, where he spent a year studying more traditional French painting and drawing techniques at the Academie Scandinave.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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